Tag: folk art

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  • “Kirsten Lauritzdatter”

    4×4 inch. Watercolor on paper, wax sealed

    Kirsten Lauritzdatter was part of the farm community around Kjørlaug, Norway, and one of the women in my family tree. Speaking her name here honors her story and recognizes her place in mine. The Kjørlaug family was revered in my grandmother’s stories. Every name was sought after, considered, and carefully added to a growing line of people reaching back to the 1600’s. Attaching these names to a piece of my Rosemaling is my way of saying, “I see you, Kirsten.”

    Kirsten Lauritzdatter is showing at the Vesterheim Museum in Decorah, Iowa until Jan 11th as a part of their Past/Present/Future of Folk Art juried exhibit along with “Norwegian Cupboard 2.” I chose to submit to this show, first of all because my grandmother was trained at their folk art school in Rosemaling, and second of all because many of my pieces are done in watercolor which is not the traditional medium for Rosemaling. The paint strokes flow so beautifully in watercolor that I think every rosemaler should try it! I’ll start a new trend. This exhibit allowed for unconventional methods while holding to the tradition of Norwegian Folk Art. It is an honor to be included. Thank you to the judges! If you are near the Vesterheim Museum anytime this year, stop in to see the curated results of the exhibit.

    “Kirsten Lauritzdatter” and “Norwegian Cupboard 2” will be for sale through the Vesterheim Museum until January 11th.

    If the title does not say [SOLD] then this piece is still available. I am willing to do prints of [SOLD] artwork only. Contact me if interested in Kirsten Lauritzdatter.

  • To er Bedre [SOLD]

    ”Two is Better” in Norwegian

    5×7 inch. Watercolor & Ink

    I took one of the writhing animals from a carved Viking era wall and turned it into two intertwined sea dragons, tipping my hat to rosemaling’s origins and naming the work “To er Bedre” because it’s still true today, “two is better” as Ecclesiastes wisely encouraged in its proverb on humans.

    If the title does not say [SOLD] then this piece is still available. I am willing to do prints of [SOLD] artwork only. Contact me if interested in To er Bedre.

  • Myk Vind 3

    ”Soft Wind” in Norwegian

    5.5×4 inches Watercolor

    Rosemaling is the folk art that moves like the wind, unbound, flowing as it wills. Every Rosemaling piece I paint is shifting as I create, then landing in a different place than I expect.

    If the title does not say [SOLD] then this piece is still available. I am willing to do prints of [SOLD] artwork only. Contact me if interested in Myk Vind 3.

  • An art with Viking roots

    Norwegian Rosemaling hails from the writhing animals and ribbons found on Viking ornamentation, weapons, boats, and structures. Spending extensive time in carving, the arts thrived amongst the Vikings as they picked up new patterns and ideas in each region they pillaged, covering their every possession with heavy ornamentation. These designs gave inspiration to Rosemaling (“flower painting” in Norwegian), and like the Vikings, painters covered walls, doors, ceilings, and any wood they could find in colorful brush strokes, pushing back the bleakness of the long winters.

    This is the origin story of Norwegian Rosemaling. It is my hope to keep this art tradition alive by sharing its story at art events and shows. There is so much more to these brushstrokes than paint.

  • Kjørlaug Farm 2

    Watercolor & Ink

    2 – 4×6 inch pieces

    My “Kjørlaug Farm” pictures are odes to the old way of working the land. Since at least as far back at 1780 The Kjørlaug Farm was home to generations of cultivators in my family tree, bringing life up from the dirt. I’m imagining the land in Rosemaling style.

    If the title does not say [SOLD] then this piece is still available. I am willing to do prints of [SOLD] artwork only. Contact me if interested in Kjørlaug Farm 2

  • Kjørlaug Farm 1 [SOLD]

    Watercolor & Ink

    5×5 inches

    My “Kjorlaug Farm” pictures are odes to the old way of working the land. Since at least as far back at 1780 The Kjorlaug Farm was home to generations of cultivators in my family tree, bringing life up from the dirt. I’m imagining the land in Rosemaling style.

    If the title does not say [SOLD] then this piece is still available. I am willing to do prints of [SOLD] artwork only. Contact me if interested in Kjørlaug Farm 1

  • Tre [SOLD]

    4×4 inches. Watercolor & Ink

    ”Three” in Norwegian

    I adore triangles. Need I say more?

    If the title does not say [SOLD] then this piece is still available. I am willing to do prints of [SOLD] artwork only. Contact me if interested in Myk Vind 1.

  • Myk Vind 2

    4×6 inches Watercolor & Ink

    Means “Soft Wind” in Norwegian.

    Rosemaling is the folk art that moves like the wind, unbound, flowing as it wills. Every Rosemaling piece I paint is shifting as I create, then landing in a different place than I expect.

    If the title does not say [SOLD] then this piece is still available. I am willing to do prints of [SOLD] artwork only. Contact me if interested in Myk Vind 2.

  • Myk Vind 1 [SOLD]

    4×6 Watercolor and Ink

    Means “Soft Wind” in Norwegian.

    Rosemaling is the folk art that moves like the wind, unbound, flowing as it wills. Every Rosemaling piece I paint is shifting as I create, then landing in a different place than I expect.

    Myk Vind 1

    If the title does not say [SOLD] then this piece is still available. I am willing to do prints of [SOLD] artwork only. Contact me if interested in Myk Vind 1.